The Fractured Politics of NamingFilm is a trickster’s medium, an illusion of an illusion. Though it purports to capture objective fact—as if holding…ByMairead Small StaidPublishedDecember 2, 2019
'Everything Is a Translation and Nothing Is': Jennifer Croft on Memoir, Etymology, and Translation“When you consider the plenitude of any word’s inheritance you might think all words are untranslatable,” writes…ByMairead Small StaidPublishedNovember 5, 2019
Moving Past the Myth of the Art MonsterIf you only know two sentences from Jenny Offill’s Dept. of Speculation, they are these: “My plan was to never get…ByMairead Small StaidPublishedOctober 14, 2019
Flamboyantly Unbound“Marcel Marceau’s first wife divorced him in 1958,” Shawn Wen writes of the famous mime. “She said he would not…ByMairead Small StaidPublishedAugust 21, 2019
Blood Isn't EverythingPity the protagonists of old-fashioned novels—just about everything seems to happen to them. They have an uncanny…ByMairead Small StaidPublishedJuly 3, 2019
Suicide and the Paradox of the MemoirA paradox lies at the center of any memoir about suicide, the fact that one can’t write about the desire to kill…ByMairead Small StaidPublishedJune 3, 2019
Choosing Motherhood in the Face of the ApocalypseGiving birth is an apocalypse: one world ends, another becomes. In Samantha Hunt’s Mr. Splitfoot, Cora sits alone in…ByMairead Small StaidPublishedApril 16, 2019